Sometimes a movie is so good, it doesn’t matter the condition you see it. In a world of 4K, Dolby Vision, IMAX, and other buzzwords for the highest of definitions, a picture ultimately rests on its construction and execution. That being said, I wish some of that visual pizzazz could have been used in the tired, washed out low-budget schlock that is White Zombie. Alas, I watched this dismal Bela Lugosi vehicle in a terrible colorized transfer, so alarming in its greenish, vomit-like hues I was scrambling to find my original TV remote so I could at least turn the color off and have a measure of relief. Would a better viewing experience have made the film better in my eyes? Maybe in the literal fashion, but I think that would be it.

Cinema Dual (TEST SITE)

Examining a life through the media we consume. In other words, I’m reviewing all of my physical music media in alphabetical order, one day at at a time. Except when I don’t, as has been the case for the past few years. Still, we march onwards…Coffee essential, but not mandatory

Tag: victor halperin

Hooptober 12.0 – White Zombie (1932)