Hooptober 8.0 – The Scooby-Doo Project (1999)

Being Bonus Film #3 for Hooptober 2021

For the final review of Hooptober 8.0 we have a wicked little piece courtesy of Cartoon Network. On the night of Halloween 1999 the channel ran a Scooby Doo marathon, and interspersed between the episodes was The Scooby-Doo Project, a parody of The Blair Witch Project that takes our beloved sleuths and puts them in the real backwoods for a taste of some found footage horror. Even better? You can watch it right now.

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Hooptober 8.0 – J.D.’s Revenge (1976)

Being Bonus Film #1 for Hooptober 2021

We’ve hit the bonus rounds for Hooptober 2021! These will be a little more brief – just general impression of the three “extra credit” films assigned for those who can get through the marathon. First up is J.D.’s Revenge, a blaxploitation horror film that is better than you would think. Directed by Arthur Marks who made his mark in television as well as earlier fare like Bucktown and Detroit 9000. You have to wade through some gratuitous violence against women (a staple of the time) but overall this is a sharp film that uses New Orleans as something other than a bayou swamp, with some great performances, including an early showing from Louis Gossett Jr.

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Hooptober 8.0 – Jack Frost 2: Revenge of the Mutant Killer Snowman (2000)

Being Film #29 for Hooptober 2021

Back when I was a teenager there were these things called video stores. But I didn’t live in the most urban of areas so instead we would rent our VHS tapes from pharmacies and gas stations. Sometimes these places didn’t have the most popular movies, especially in the horror genre so I would up finding a lot of shoe-string budget films that took advantage of videotape as a cheap alternative to film. These films weren’t too good, and that trend seems to have continued into the digital age with Jack Frost 2: Revenge of the Mutant Killer Snowman, which looks like a slightly higher res version of those dumpster films. With a title like that I think you can guess what this film is about and, more importantly, how it goes about it. Cheap, silly, a few laughs…but there’s only so far you can go with a wise cracking killer snowman – although every time I see a crawling talking carrot the movie bumps up a minute.

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Hooptober 8.0 – Halloween Kills (2021)

Being Film #25 for Hooptober 2021

For some people, there is nothing I can say that will keep them from watching Halloween Kills, the second in a planned trilogy that serves as a slate cleaning sequel to the immortal 1978 classic film. If you’re simply looking for a dozen or so brutal, borderline creative kills from an unstoppable and I guess immortal menace, this film will give you that. If you’re looking for anything even remotely resembling inner logic or a coherent script, or even Jamie Lee Curtis doing anything besides rambling in a hospital away from the action, well…you might want to look elsewhere.

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Hooptober 8.0 – The Evil Dead (1981)

Being Film #23 for Hooptober 2021

Is there anything left to be said about The Evil Dead? Sam Raimi’s 1981 debut horror has been hailed as one of the greatest horror films of all time, “ferociously original” by none other than the Master of Horror himself, Stephen King. It ushered in the reign of his Majesty the Chin, Bruce Campbell, who I will watch in anything. I’ve seen it more time than I can remember (though not nearly as many times as it’s reboot/sequel) so I figure once more ’round the sun and see if anything new strikes me for the purposes of this Hooptober. Time to get groovy, baby.

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Hooptober 8.0 – Black as Night (2021)

Being Film #22 for Hooptober 2021

I called a last minute audible for my horror watch when I saw the trailer for Black as Night, the sixth film in the Blumhouse/Amazon partnership under the Welcome to the Blumhouse series. Although it’s a bit reductive to look at this as a “what if Buffy The Vampire Slayer was about a young black girl in post-Katrina New Orleans” riff, it’s not exactly inaccurate, either. But that doesn’t do justice to the great lead performance by Asjha Cooper, or the subjects it tries to cover, from being comfortable in your body to the social ills plaguing the black communities abandoned after the real-world horrors of Katrina. So, a film not without its problem, but certainly not without its charms.

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