Straddling the line between folktale and vibrant Hammer-style gothic horror, I was shocked and surprised at how much I enjoyed the lean, vibrant Viy. My knowledge of Russian cinema, let alone Russian horror, is pretty limited, but I shouldn’t be surprised considering the rich history Russia has from a literature standpoint. Adapted from a short story by Nikolai Gogol, Viy is a wonder of practical effects, concise storytelling, and – weirdly – a sense of joy despite its grim plot.

Cinema Dual (TEST SITE)

Examining a life through the media we consume. In other words, I’m reviewing all of my physical music media in alphabetical order, one day at at a time. Except when I don’t, as has been the case for the past few years. Still, we march onwards…Coffee essential, but not mandatory

Tag: Russia

Hooptober 12.0 – Viy (1967)