Hooptober 2022 #34: It’s Alive (1974)

Calling producer/writer/director Larry Cohen an original seems like selling the man short. Larry Cohen is the kind of filmmaker that you introduce to friends. Cohen’s body of work is just so singular. Few directors understood the power of genre for social commentary like Cohen did. Even fewer embraced the absurd in genre filmmaking like Larry Cohen. Maybe because that could sell a film or because … Continue reading Hooptober 2022 #34: It’s Alive (1974)