Varda by Jon – Part 15: Beaches

In the distant past of April 2020, Chris and I dove deep into an episode of our podcast Cinema Dual on the films of French filmmaker Agnès Varda. Though technically not my first experience with Varda, that week of watching Varda’s movies was eye-opening, to such an extent that when Criterion announced they were going to release a Blu Ray box set of her complete filmography, I jumped at the chance to catch up on everything I had missed. Each post will cover 1 of the 15 discs in the set.

In the intro to Part 12 of this series, having just seen the trailer for The Matrix: Resurrections, I asked what it meant for Lana Wachowski to return to that series. The answer, explicitly stated in the film, was that Warner Bros was going to make another Matrix with or without her, and under those conditions, Wachowski signed on. I’m almost completely sure that no one was threatening Agnès Varda to make her own biopic without her involvement, but the first thing she clearly states at the beginning of The Beaches of Agnès (2008), is that she is playing a role of a person telling her own life story, but that it’s other people that interest her. The challenge of the project becomes how to reconcile these competing impulses.

The Beaches of Agnès (2008) - IMDb
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Varda by Jon – Part 2: Early Varda

In the distant past of April 2020, Chris and I dove deep into an episode of our podcast Cinema Dual on the films of French filmmaker Agnès Varda. Though technically not my first experience with Varda, that week of watching Varda’s movies was eye-opening, to such an extent that when Criterion announced they were going to release a Blu Ray box set of her complete filmography, I jumped at the chance to catch up on everything I had missed. Each post will cover 1 of the 15 discs in the set.

When Agnès Varda is referred to as the “Mother of French New Wave” it doesn’t come  from her association with filmmakers like Jean Luc Godard and François Truffaut; it’s more from the realization that some of the filmmaking techniques they were “innovating” could already be found in Varda’s work. In contrast to her contemporaries, Varda moved into filmmaking from her career as a photographer, and because of interest and circumstance more or less learned on the job. Fortunately those compositional skills gave her a head start on establishing a voice in the medium from the beginning.
Continue reading “Varda by Jon – Part 2: Early Varda”