Revisiting E.T. The Extra Terrestrial (1982)

A few disclaimers before I get into this. First, I am 8 days older than Steven Spielberg’s E.T. The Extra Terrestrial. Second, my first memories of seeing a movie are my dad taking me to see this probably during the 85 rerelease. Third, I am of the generation whose parents, when they needed 2 hours to themselves, would plop us in front of the tv and put this in the VCR. This is a a film that I have very vivid memories of seeing. This is a film whose scenes and beats that I know intimately. It’s a film that I feel a connection to on some level. Continue reading Revisiting E.T. The Extra Terrestrial (1982)

Hooptober 8.0 – The Evil Dead (1981)

Being Film #23 for Hooptober 2021

Is there anything left to be said about The Evil Dead? Sam Raimi’s 1981 debut horror has been hailed as one of the greatest horror films of all time, “ferociously original” by none other than the Master of Horror himself, Stephen King. It ushered in the reign of his Majesty the Chin, Bruce Campbell, who I will watch in anything. I’ve seen it more time than I can remember (though not nearly as many times as it’s reboot/sequel) so I figure once more ’round the sun and see if anything new strikes me for the purposes of this Hooptober. Time to get groovy, baby.

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Hooptober 8.0 – Evilspeak (1981)

Being Film #20 for Hooptober 2021

It’s interesting watching something like Evilspeak now, 40 years after its release and in a completely different world where “nerd is the new cool” holds sway and the kind of ruthless bullying we see on display feels even more startling than it must have when it first came out. The movie tries to embodies a bunch of different trends at the time, including satanic worship and computers to invoke the Devil. Toss in a great Clint Howard performance and you have yourself a fine horror flick that fleshes out its nerdy protagonist and offers a little more than the standard power grab motif.

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Hooptober 8.0 – The Black Cat (1981)

Being Film #4 for Hooptober 2021

I’ve gone on record a few times during Hooptober about my less than ardent love for Lucio Fulci. With the exception of The Beyond, his “Gates of Hell” films felt scattered and gratuitous and his riff on Romero with Zombi was anemic at best. So I’m as shocked as you are that The Black Cat, his very loose re-imagining of the Edgar Allen Poe short story is not only good, but might be my favorite of his films to date. Sacrificing the over-the-top gore for more suspense and creepy visuals better serves the supernatural story, even as it becomes more and more ridiculous. Yes, you’ll see a cat work a lock on a door and laugh out loud, but you’ll also see some of the most effective visuals of Fulci’s career.

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Hooptober 8.0 – Pumpkinhead (1988)

Being Film #1 for Hooptober 2021

Stan Winston is a legend. This is undisputed. The man was a master of practical effects. The stuff he did for both Aliens and Jurassic Park (two films you can definitely spot shades of here) are some of the most breathtaking works of imagination put to screen. So when I tell you that Pumpkinhead, his directorial debut, is pretty much a dud from the get go it shouldn’t tarnish the many, many skills the man had. Just turns out directing wasn’t one of them. Could’ve been worse: two years later we were blessed with The Adventure of a Gnome Named Gnorm.

What can you do?

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Raw Force (1982)

As some reassurance that it’s not all Godard and Criterion-approved films around here, I hereby present this only slightly used review for the 1982 schlock classic.  I promise I’ll get to to that Alphaville review sooner rather than later!

There are no guilty pleasures, and yet there is a certain amount of sleazy, joyful guilt I got from watching Raw Force, aka Kung Fu Cannibals.  I imagine it’s the same sort of sleazy, guilty joy writer/director Edward Murphy (not that Edward Murphy but imagine if it was…) got as he made the film.  Take martial arts action, sleazy exploitation and supernatural horror, and sprinkle it with a small dose of sex comedy.  Give it an almost non-existent budget, populate it with a bunch of terrible but overjoyed actors and combine it with a concept straight out of the head of a nine year old weaned on cross-pollinated action figure mayhem and it STILL doesn’t come close to what ends on the screen, which is a ridiculously enjoyable B movie that gives 100%.

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