Tag: 1940s
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Hooptober 12.0 – Dead Of Night (1945)
Being Film #3 for Hooptober 2025 Anthology films are hard to nail down. You not only have to have a strong selection of stories that work, but the framing device often can make or break the film. So there was already a stacked deck against Ealing Studios, the English film studio known more for comedies…
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Something Like a Filmography: Stray Dog (1949)
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa’s legacy and its intersection in the Cinema Dual hosts’ lives. FROM THE BOX: A bad day gets worse for young detective…
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Something Like a Filmography: The Quiet Duel (1949)
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa’s legacy and its intersection in the Cinema Dual hosts’ lives. FROM THE BOX: A young idealistic doctor works at his father’s…
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Something Like a Filmography: Drunken Angel (1948)
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa’s legacy and its intersection in the Cinema Dual hosts’ lives. FROM THE BOX: In this powerful early noir from the great…
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Something Like a Filmography: One Wonderful Sunday (1947)
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa’s legacy and its intersection in the Cinema Dual hosts’ lives. FROM THE BOX: This affectionate paean to young love is also…
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Something Like a Filmography: No Regrets For Our Youth (1946)
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa’s legacy and its intersection in the Cinema Dual hosts’ lives. FROM THE BOX: In Akira Kurosawa’s first film after the end…