Varda by Jon – Part 7: Her Body, Herself

In the distant past of April 2020, Chris and I dove deep into an episode of our podcast Cinema Dual on the films of French filmmaker Agnès Varda. Though technically not my first experience with Varda, that week of watching Varda’s movies was eye-opening, to such an extent that when Criterion announced they were going to release a Blu Ray box set of her complete filmography, I jumped at the chance to catch up on everything I had missed. Each post will cover 1 of the 15 discs in the set.

Didacticism in art can be tricky to pull off well. You can have a band like Rage Against the Machine, whose politics are notoriously and very obviously left-wing, get co-opted by their political opponents who can’t see the irony in their choices. Even successfully didactic art is subject to taste, because some people don’t find a lecture all that inspiring. While the ideal balance between art and education isn’t always the same for every project, it does need to be considered. This week’s batch of movies finds Agnès Varda, no stranger to directness, pushing that balance in interesting ways.

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Varda by Jon – Part 6: In California

In the distant past of April 2020, Chris and I dove deep into an episode of our podcast Cinema Dual on the films of French filmmaker Agnès Varda. Though technically not my first experience with Varda, that week of watching Varda’s movies was eye-opening, to such an extent that when Criterion announced they were going to release a Blu Ray box set of her complete filmography, I jumped at the chance to catch up on everything I had missed. Each post will cover 1 of the 15 discs in the set.

For all of the struggles Agnès Varda would experience with the Hollywood establishment in the context of her career as a filmmaker, she never let those experiences go to waste. Indeed, the majority of her “California” work was produced over a couple of trips, one in 1968 and another in 1979, and was borne out of professional and even personal challenges. The first trip in 1968 saw Varda trying to get a film project off the ground while her husband Jacques Demy similarly was attempting his own Hollywood breakthrough. The second trip in 1979 saw Varda set out by herself (and her son) on a film project that would almost immediately collapse.

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Varda by Jon – Part 5: Married Life

In the distant past of April 2020, Chris and I dove deep into an episode of our podcast Cinema Dual on the films of French filmmaker Agnès Varda. Though technically not my first experience with Varda, that week of watching Varda’s movies was eye-opening, to such an extent that when Criterion announced they were going to release a Blu Ray box set of her complete filmography, I jumped at the chance to catch up on everything I had missed. Each post will cover 1 of the 15 discs in the set.

If you were to read accounts of Agnes Varda’s 28-year marriage to fellow French filmmaker Jacques Demy, they generally read as fairly positive. They supported each other’s careers while maintaining healthy professional boundaries. When Demy was given the opportunity to travel to California to try his hand at Hollywood, he and Varda packed up the family and Varda found her own work to do in the meantime. It seems to be a modern partnership of equals that you’d want. But while both Demy and California will have their own forthcoming sections in this series, Varda’s thoughts on marriage generally as expressed through her art tend towards ambivalence at best. Like Varda’s philosopher colleague Simone de Beauvoir, we draw our attention to how traditionally women in heterosexual relationships were “shut up in a kitchen or in a boudoir, and astonishment is expressed that her horizon is limited. Her wings are clipped, and it is found deplorable that she cannot fly. Let but the future be opened to her, and she will no longer be compelled to linger in the present.”

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2020 Movies Jon Liked

Everyone’s got their own struggles this year, and mine isn’t unique by any regard. I lost my career of 12 years in November, after having been furloughed back in March. Fortunately for those 7 1/2 months of furlough, I received assistance through the Canadian government’s wage subsidy, which left me with time to dedicate to looking after family, and watch a surprisingly high number of movies. A lot of that energy was catching up on various blind spots from film history, but there were a handful of movies this year that I managed to see. And if it makes more sense to call it “movies I liked” instead of “best of 2020”, it’s easy to get why.

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Chris’s 2020 in Film (…Kind Of)

It’s only now, with the year wrapping up and the vague promise of, well…if not better times then at least slightly less poisonous and soul crushing times, that I’m starting to take more of an interest in the films of 2020. Reading through lists and reviews and recaps – even on this site – have started to awaken in me the desire to search out … Continue reading Chris’s 2020 in Film (…Kind Of)

Varda by Jon – Part 4: Rue Daguerre

In the distant past of April 2020, Chris and I dove deep into an episode of our podcast Cinema Dual on the films of French filmmaker Agnès Varda. Though technically not my first experience with Varda, that week of watching Varda’s movies was eye-opening, to such an extent that when Criterion announced they were going to release a Blu Ray box set of her complete filmography, I jumped at the chance to catch up on everything I had missed. Each post will cover 1 of the 15 discs in the set.

If Agnès Varda could be described as an observant person, that focus of perception would strike especially true for the neighborhood where she lived for most (if not all) of her adult life: the Rue Daguerre in Paris. The early 70s were a relatively fallow period for Varda artistically, and the need to take care of her young kids left her feeling stuck – literally – in one place. Fortunately a German production company reached out with an offer to let her make any kind of movie she wanted. With the electric cables for her film gear reaching out in a 300ft radius from her house, Varda decided to make a movie within that community circle, with her focus on the shopkeepers of Rue Daguerre.

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